Amelia Rawlings A2
Thursday 9 March 2017
Friday 24 February 2017
postmodernist music
1. is not simply a repudiation of modernism or
its continuation, but has aspects of both a break and an extension
there are aspects of
postmodern music which is taken from old music e.g. classical to create a new
piece completely, this could be done by adding on new takes on music mixing
2. is, on some level and in some way, ironic
music that could make
fun of others by adopting aspects from them, for example taking samples from
them. However it could also such evoke happiness in the audience by simply
intertextually referencing other texts in a new format.
e.g Madonna and
Marilyn Monroe cross over
3. does not respect boundaries between
sonorities and procedures of the past and of the present
the text does not necessarily follow the conventions of its genre, this
could be by genre mixing. Using aspects of past music styles
Madonna adopts a
persona in which she dresses like Marilyn Monroe, a socialite from the past.
When she was doing this, she chose to replicate and take inspiration from
Marilyn Monroe’s song ‘diamonds are a girl’s best friend’ when filming her
video and the lyrical theme is similar.
4. challenges barriers between 'high' and
'low' styles
there can also be a blurring between ‘high’ styles such as: classical,
opera and certain musical pieces, and what are considered ‘low’ styles such as:
hip hop, pop music and RnB.
Madonna has collaborated with different artists such as vanilla ice,
lil wayne and Bjork
5. shows disdain for the often-unquestioned
value of structural unity
style and structure
changes along with abrupt start and stops
e.g. vernallis theory
of fragmented narratives
6. questions the mutual exclusivity of elitist
and populist values
music is often
influenced by the time it is created or written. For example it is often a
product of current affairs as music is a good platform to voice elitist and
populist views of the time.
7. avoids totalizing forms (e.g., does not
want entire pieces to be tonal or serial or cast in a prescribed formal mold)
the music does not
just follow one genre and its typical format.
8. considers music not as autonomous but as
relevant to cultural, social, and political contexts
the genre of the music
often means that certain views relevant to the typical audience can be voiced.
For example the lyrics in grime music would be more relevant to the areas in
which they live and the struggles they face as a part of their culture ect.
9. includes quotations of or references to
music of many traditions and cultures
the mixing and taking
of different songs never mind their age or genre and using them to create new
pieces of music to fit a new genre.
An example of this
would by Kanye wests use of older songs in the mix throughout his latest album:
the life of Pablo.
10. considers technology not only as a way to
preserve and transmit music but also as deeply implicated in the production and
essence of music
for example Electronic music and remix’s of
older songs. Allows new sounds to be created etc.
11. embraces contradictions
postmodern music
artists will often embrace what would be seen as typically different or
outlandish in terms of their music, the personas they adopt and the way that
they perform.
For example, Madonna
over her career has changed the way she performs and dresses to suit her change
in music style, who she is collaborating with and the message in the song.
12. distrusts binary oppositions
e.g Madonna at her
time started off being typical of her time and genre however as her career went
on she began to distrust the binary oppositions set against her and instead branched
out, for example she would stop wearing dresses and instead wear tailored suits
which was not typical of her genre.
13. includes fragmentations and discontinuities
brief samples of
certain songs or the music of others are brought out by artists and are faded
out early
another example being
artists who are seen as a brand and then discontinue it to adopt into a
different style.
14. presents multiple meanings and multiple
temporalities
the idea that music
can have multiple meanings, for example its literal meaning, metaphorical
meaning and others. This is what sets certain postmodern music aside from
modernist music of a previous time.
15. locates meaning and even structure in
listeners, more than in scores, performances, or composers.
The consumer can create a new meaning of the
text due to context change which could have been different to its literal
meaning when it was produced.
Subscribe to:
Posts (Atom)